Non-fiction Piece in Pens on Fire

File this under self-promotion.  A non-fiction article I wrote for the very first issue of Faraway, “My Breakthrough,” is now appearing at the online literary journal Pens on Fire.  The article is about a mental leap forward that I made last year, when my writing output increased a few hundred-fold.  My secret?  You’ll have to read the article!  This is also a great site for monthly poetry and short stories from young, up-and-coming writers.

For a long time, I have known that I wanted to write. In high school I had ideas for stories that I talked about endlessly, but I never wrote a word. After graduation, I bought books on how to write books, but I never wrote a word. And in college, a few sentences occurred to me that I simply could not let escape, so I scribbled them down and put them away, but nothing ever came of them.

But last year, for some reason, I opened up a new document on my laptop computer, and I began to write. I wrote ten pages in a single sitting, and not just ten pages, but ten good pages. In a week I had written fifty pages, and I sent these out to my friends, and by the time they had read them, I had already written another fifty. I wrote almost two hundred pages of my first idea for a novel, The Altar of All, in less than two months, where in the previous five years I had written nothing. Reaching an impasse in that story, I got the idea for a second book, Sail, and in the last two months of the year, I wrote two hundred pages of that story as well . . . And in between writing these two major stories, I wrote a hundred pages of short stories.

I have since been asking myself about this remarkable output. How did I break through the writer’s block that had kept me from writing before, and suddenly produce enough to fill a book?

Read more.

Dos and Don’ts of Writing Submission Guidelines by Daniel Sawyer

              The bulk of your magazine will be composed of submissions you accept from people you don’t necessarily know.  When it comes time to write your submissions guidelines, you may be tempted to come up with a long list of standards that forces people to conform to your rules.  I suggest more lenient submission guidelines, which will increase the number of submissions you receive and will result in greater variety.  The following dos and don’ts can help you come up with your own guidelines.

DO . . .

. . . accept submissions of any length.

. . . accept submissions of any genre and on any topic.

. . . accept multiple submissions.

. . . lay out formatting guidelines.  A Word file with Times New Roman font, double-spaced, with 12-point font is standard.  Don’t download or open anything that’s sent to you that is not a Word file or other file type which you previously specified—it could be a virus.

. . . insist on correct spelling and grammar.  Poor spelling and grammar not only reflect negatively on the author, but on you, the editor and publisher, as well.  You can also offer to correct mistakes in submitted manuscripts.

. . . read submissions and respond to the authors as quickly as possible.  Don’t keep people in unnecessary suspense.

DON’T . . .

. . . put arbitrary limits on people.  If someone wants to submit twenty stories, so what?  This will let you find the best one, and save others for a later issue.

. . . dismiss submissions because of word count.  If a story is longer than you’d prefer but still good, you could get creative about how you include it in your magazine, such as printing it in installments.

. . . disqualify something because it doesn’t fit in a neatly-prescribed genre.  Say you only want to print fiction.  Should you then turn away a really well-written piece of nonfiction?

. . . force people to write query letters.  Things like query letters scare people off.  You want to receive submissions.  Make it as easy as possible for people to get them to you.

            As an example of how these guidelines have been put into effect, refer to the website for the magazine I work for, Faraway, which simply says: Submit today!  Remember: you don’t have to publish everything you receive!  Lenient guidelines will give you more to choose from, and will help you discover great new writers who were scared away from stricter publications.

Publishing an eZine: 5 Tips to Help You Save Time and Money

by Daniel Sawyer

In 2007, after trying for months to get my short stories and poetry published in established magazines, it slowly dawned on me that perhaps I could start my own literary journal and publish myself. The prospect was instantly daunting, but I forced myself to go through with it because I am passionate about writing. With a group of friends and relatives, I founded Faraway: A Journal of Art & Literature in 2007, for the purpose of giving writers like myself a free, easy outlet for their writing. To date, the journal has published dozens of stories, poems, and works of art by over twenty contributors in five countries, but it was never easy. Below are five of the most important lessons we’ve learned in the year and a half since we started publishing the journal, which will help future magazine publishers avoid common pitfalls.

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