These things always seem to take longer than anticipated. A word on the process: Our pet chimp Dimba solicits short stories, poems, and artwork from his cage at the company fortress in Montclair, California.  Accepted pieces are then shipped through a series of tubes to his brother’s underground log cabin in Montpelier, Vermont. His brother uses scotch tape and elbow grease in his spare time to assemble the various and sundry pieces into something marginally acceptable for mass digestion. Sometimes an ocean liner is hired to ship material to the chimp’s cousin, who lives in a big wooden shoe in Norway and has more and better digital skills.

The first two issues of this publication were profoundly and embarrassingly amateur hour (still, my favorite bit out of everything we’ve done is the first poem from the first issue). With Vol 1, Issue 3 we started working thematically with varying levels of success. E.g., Vol. 1 Iss. 3 featured birds and trees…um…for no particular reason. Volume 2 Issue 1 was broken up by the 4 seasons and had a cool cover. Volume 2 Issue 2 had a victorian theme, complete with fake ads that i think turned out pretty good.

Since Vol. 2 Iss. 2 took a bit of effort we tried to do something simpler with this one: i had always liked the title of the Nine Inch Nails song “The Line Begins to Blur”. what if we used kind of a Mondrian / straight lines theme that gradually became more blurred, curved, etc? It had a certain kind of symbolism and resemblance to daily experiences. Easy!

4 months later the current issue is on your screen.  I think we basically executed this concept, with Sean Wiebe’s last lines of the first half “…a new thought that has been slow in coming” leading to Jeff’s two explosive centerpieces and subsequently more abstract, natural images. This one might have been labored to death, but see what you think.

So, for next time, how about some suggestions for themes? Also- the next batch should plan on submitting their bios in 6 words or less.

Also, for best viewing: download and save, then view as “Two-up Continuous”.